Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è fêtes solennelles - definizione
![[[Fêtes Vénitiennes]]](https://commons.wikimedia.org/wiki/Special:FilePath/Jean-Antoine Watteau - Fêtes Venitiennes - Google Art Project.jpg?width=200 "[[Fêtes Vénitiennes]]")
![Mezzetin]], 1718/9](https://commons.wikimedia.org/wiki/Special:FilePath/Jean-Antoine Watteau - Mezzetin.JPG?width=200 "Mezzetin]], 1718/9")
![[[Nicolas Lancret]], circa 1730](https://commons.wikimedia.org/wiki/Special:FilePath/Nicolas Lancret 001.jpg?width=200 "[[Nicolas Lancret]], circa 1730")
![[[Jean François de Troy]], ''The Declaration of Love, 1731.''](https://commons.wikimedia.org/wiki/Special:FilePath/Declarationoflove.jpg?width=200 "[[Jean François de Troy]], ''The Declaration of Love, 1731.''")
![''Antiochus and Stratonice'', [[Gerard de Lairesse]], 1671-1675, [[Rijksmuseum Twenthe]]](https://commons.wikimedia.org/wiki/Special:FilePath/Gérard de Lairesse - Antiochus en Stratonice.jpg?width=200 "''Antiochus and Stratonice'', [[Gerard de Lairesse]], 1671-1675, [[Rijksmuseum Twenthe]]")
Wikipedia
Fête galante (French pronunciation: [fɛːt ɡalɑ̃t]) (courtship party) is a category of painting specially created by the French Academy in 1717 to describe Antoine Watteau's (1684–1721) variations on the theme of the fête champêtre, which featured figures in ball dress or masquerade costumes disporting themselves amorously in parkland settings. When Watteau applied to join the French academy in 1717, there was no suitable category for his works, so the academy simply created one rather than reject his application. His reception piece was the Embarkation for Cythera, now in the Louvre.
Watteau wanted recognition from the government-appointed Academy of Painting and Sculpture. The Academy upheld the hierarchy of genres, ranking scenes of everyday life and portraits, the paintings most desired by private patrons, as lower than morally educational paintings illustrating history paintings, including allegories and scenes from mythology.
